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Arts 'Scream' To Go On View At MoMA

2012.09.18 08:34

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”Scream” by Edvard Munch at the National Museum, Oslo
Photo by Seong Koo Cho, June 3, 2011


'Scream' To Go On View At MoMA


Carol Vogel


Edvard Munch's 1895 version of "The Scream" - which became
the most expensive artwork ever sold at auction when it brought
nearly $120 million at Sotheby's in May - will go on view at the
Museum of Modern Art, courtesy of its new mystery owner,
for six months, starting on Oct. 24.

"This is an incredible opportunity for our visitors to see
something that is otherwise hard to see," Glenn D. Lowery,
the museum's director, said in a telephone interview.

Munch made four versions of "The Scream" - an image that
has become a universal symbol of angst and existential dread -
from 1893 to 1910. Three are in Norweigian museums and
have not traveled for years. This one, a pastel on board,
is the only "Scream" still in private hands and the only one
in the United States; it has never before been shown publicly
in New York, officials at MoMA say.

Depicting a hairless figure on a bridge under a brilliant yellow-
orange sky, the composition was originally conceived by Munch
as part of his "Frieze of Life" series, which explores themes of
love, angst and death. "Some people call it the Mona Lisa of
Modern art," Mr. Lowry said.

This version, the most colorful of the four, has a frame painted
by the artist with a poem describing a walk at the sunset ("I felt
a whiff of melancholy - I stood/Still, deathly tired") that inspired
the work. (It is also unique among the "Screams" for its
backreound figure turning to look out onto the cityscape.)

The New York financier leon Black is said to have been the buyer
of the pastel at Sotheby's but nobody - including Mr. Black
himself, officials at the Sotheby's or Mr. Lowry - would confirm that
he was the one lending the painting in MoMA.

Mr. Black is a member of MoMA's board, however
(as well as of the board of the Metropolitan Museum of Art).
He is also one of this country's foremost collectors, having
amassed a world-class art collection that includes paintings
by manet, Cezanne and Degas; drawing by Raphael, Daumier
and van Gogh and sculptures by Brancusi, Gauguin and Degas.

Mr. Black, the chief executive of Apollo Global Management,
is said to have developed a passion for art after studying it
at Dartmouth College in the early 1970s. He has told friends
that he considers "The Scream" particularly important because
it is a precursor of 20th-century Expressionism.

The pastel will be on view at MoMA through April 29, hanging
in the first gallery on the museum's fifth floor, along with
several prints that Munch made arounf the same time.
"Over the years we have really built up our Munch holdings,"
Mr. Lowry said. "But the main focus of the exhibition will be
the pastel."

Security at the museum will be extremely strick. Besides being
one of the most recognizable images ever - reproduced on
everything from mugs and T-shirts to key chains and inflatable
dolls - "The Scream" is also one of the most often tempting to
thieves. Versions have been stolen twice, first in 1994, when two
burglars fled the National Gallery of Norway in Oslo with an 1893
"Scream" (it was recovered unharmed later that year), and then
in 2004, when masked gunmen stole the 1910 version, as well
as Munch's " Madonna", from the
Munch Museum, also
in Oslo; both works were recovered two years later.

When Sotheby's was selling the pastel, it was first put in view in
London for five days, and more than 7,500 people passed through
airport-style security scanners and bag checks to see it. When it
then came to New York, the auction house restricted viewing to
Sotheby's clients only.

At MoMA, Mr. Lowery said; "It is our hope to maintain a normal flow
of visitors and show it in a way so the public can best see it.
But if the situation warrants, we might have to issue timed tickets."




Madonna by Munch; Photo by Seong Koo Cho, June 3, 2011


Article from The New York Times, The Arts, September 18, 2012,
Webpage by Sungja Cho


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