2011.11.17 09:47
Happy Thanksgiving
Floral artwork inspirated by Vik Muniz
1973년에 만들어 그후부터 Christmas Tree 를 장식하고 있습니다. Bellagio Botanical Garden 을 들어선 순간 왠지 The Wizard of Oz 생각이 났습니다. |
2011.11.17 09:50
2011.11.17 17:47
Happy Thanksgiving to You & Your Family, Chomee-nim.
And I am waiting for dark meat on the table.
2011.11.17 18:08
2011.11.18 02:38
HAPPY THANSGIVING! EVERYONE!
우리도 다음주초 추수감사절 가족모임으로 애틀란타에 갑니다.
이번 추수감사절에는 가족멤버에 우리 순원이가 들어와 다들흥분하고 있습니다.
지난번 Upstate NY에서본 giant pumkin사진과지금 막 3개월이 넘은 손자 사진입니다.
손자사진 내는것 신참 할배임을 감안하여 이번까지만 양해하시기를.
다음부터는 돈을 내놓고 내놓아야 될것 같습니다,ㅎ,ㅎ. 규정
2011.11.18 03:36
방선생님,
dark meat 너무 많이는 드시지 마십쇼.ㅎ.ㅎ.
운영자님,
세월이 너무 빨리 가나 봅니다.
붓잡아 둘 수도 없구요.
황선생님,
4번쌔 사진 pumpkin은 517 LBs. 입니다.
올리신 pumpkin도 500 LBs.를 넘을것 같습니다.
그동안 순원이가 많이 자랐군요.
아트란타에서 가족들과 즐거운 holiday 를 보내시기를...
Happy Thanksgiving Everyone !
Muniz began his career as a sculptor in the late 1980s after relocating from Brazil to Chicago and later to New York. His early work grew out of a post-Fluxus aesthetic and often involved visual puns and jokes. His most famous work from this period is “Clown Skull”, a human skull augmented with a clown-nose shaped protuberance.
Muniz’s work begins to take on its mature form with The Best of Life (1990) where he drew pictures of photographs included in the coffee table book “The Best of Life” from memory after losing the book in a move. The drawings were subsequently photographed and shown as photographs, a practice that Muniz continues.
Muniz followed “The Best of Life” with Equivalents (1993), Pictures of Wire (1994), and Pictures of Thread (1995) in which he developed the other aspect of his characteristic style by making the drawings out of readily recognizable non-art materials (i.e. cotton, wire, or thread). This process of making a drawing out of a nontraditional material and then photographing it has been central to Muniz’s work ever since. In 1996 he made “Sugar Children” for which he received critical acclaim. The New York Times reviewed the show and Muniz was invited to participate in the 1997-1998 New Photography exhibition at the Museum of Modern Art in New York. ( from Wikipedia)