Wonderful music. It sounds like I am hearing it for the first time.

As a surgeon, I have met a few brilliant masters of surgery at whose skill I was green with envy.
But I've never hated them because, soon or later, I was able to catch theirs.
I am glad I wasn't a musician. In my trade, no brick walls or no Salieri syndrome were there.
Was I lucky?

"http://magickriver.blogspot.com/2007/01/salieri-syndrome.html"의 글을
가져옵니다. The original writer is unknown.

Another quote: "Almost every musician has at least one or two musicians
that they have a love/hate relationship with. They love them for their brilliance,
and they hate them because they make it seem so EASY!"

Monday, January 8, 2007 THE SALIERI SYNDROME [First published in the April 2005 issue of VIDA!] I saw Miloš Forman’s film of Peter Shaffer’s Amadeus five times at the same cinema. And I’ve watched the VCD at home at least three times. What impressed me most was F. Murray Abraham’s oscar-winning portrayal of Antonio Salieri, court composer to the Hapsburg emperor Joseph II. Today everybody agrees that Wolfgang Amadeus Mozart was a divinely inspired genius. A few of us know he died a pauper at 35 and was buried in a mass grave – and that his monumental musical legacy lay largely forgotten for more than 70 years - until Ludwig von Köchel published a descriptive catalogue of the 626 works Mozart composed in his short but intense career. In Shaffer’s fictionalization of Mozart’s story, Salieri’s professional envy of the gifted upstart becomes the central motif of the drama. Salieri is one of a small handful academic musicians with sufficient savvy to appreciate the full extent of the man’s extraordinary talent; but he chooses to thwart Mozart’s destiny in every way possible. Nevertheless, Mozart succeeds in seizing a brief burst of popularity with his vibrant operas. The pious Salieri eventually loses his faith in God, and murders Mozart by posing as an anonymous Count and commissioning a Requiem, with an impossible deadline and a monetary reward Mozart couldn’t possibly refuse (being in heavy debt, owing to his hedonistic habits). Salieri thereby pushes the already frail genius beyond the edge of exhaustion to an untimely demise. For his efforts, Salieri ends his days in an insane asylum, where he pontificates about the rectitude of mediocrity and blesses his fellow inmates for their lacklustre and wasted lives. Two centuries down the line, nobody remembers a single melody written by Antonio Salieri; while Amadeus triggered a worldwide Mozart revival which would have made Wolfie posthumously richer than Lord Andrew Lloyd Webber, Sir Paul McCartney, and Sir Elton John combined.

We hear about American Dream a lot. I don't know exactly what they mean by American Dream.
Probably, they mean by economic gain in this affluent country.
Before I judge their Dream, I want to reveal my wishful thoughts before I came here.

1. I wanted to learn how to play Golf.
2. I wanted to collect all the works by Beethoven and Mozart.

I tried both and I achieved halfway.
I don't regret that I am still on the middle of the road.
The reason behind this simple Dream was/and is that both of them make me feel at ease/or peace.

Thank you for introducing "Amadeus, Loved by God', Myong-Soon-nim.
I am now at peace, listening to "Romance". Thank you.
(Please, send me a bill for PsychoRx. My address is 200 Salieri Syndrom, Brooklyn, New York)

운영자 선배님이 소개해 주신 정보 보고 많이 배웠습니다.
역시 의대 사이트에 글을 올리기 잘했던 것 같아요^*^

방선생님의 재치있으심에 왕창 웃었습니다.~~
주소가 무척 詩的입니다^&^

제가 요즈음 컴퓨터 앞에 자주 않지를 못하고 지내는데
명순님, 이제야 좋은 게시물을 수고 해 올리신 걸 보고 감사의 마음 전합니다.
이 영화는 저도 참 감명깊게 보았던 영화고 몇번이나  보았었답니다.
이 영화 주연인 Tom Hulce (Mozart 역)가 오스카 상을 못받은 것이 저도 유감이지요.

대부분의 모짜르트 곡이  명랑한 듯하면서도  애잔한 서글픔이 느껴지는데 ,
이곡은 전에 제가  웹페이지 배경음악으로 넣기도 하던 곡이지요.
계속 좋은 게시물들 올려주시기를 기대해 봅니다.

그러잖아도.. 궁금했었는데.. 석주님, 반갑습니다.
"명랑한 듯하면서도  애잔한 서글픔이 느껴지는 음악" 이란 말씀에서
딱! 모짜르트의 특징을 아주 잘 짚으셨습니다.

남에게는 너무나 easy하고  natural 하게 보이는.. 천상의 음악을 
신으로 부터 딕테이트 받아 쓰는 듯한 재능.. 그 뒤에 감추어져 있는
때로는 부서질듯 여리고 때로는 달관한듯 잔잔한 애수를 느끼게하는
그이의 서글픔이 영화를 보고난 후, 제게 더욱 이해가 되더라구여~

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